
A Mask the Color of the Sky
Paperback - 224 pages
Â
Winner of the International Prize for Arabic FictionÂ
A bold, psychologically rich novel of identity, exile, and resistance from one of Palestineâs most vital literary voicesâwritten entirely from behind bars.Â
Nur, a young Palestinian refugee from a camp near Ramallah, is often mistaken for an Ashkenazi Jew. Fluent in Hebrew and with a degree in archaeology, he dreams of freedom beyond the fences of the campâand of writing a novel about Mary Magdalene based on the Gnostic Gospels. When he discovers an Israeli ID card in the pocket of a secondhand coat, he assumes a false identity and is hired for an archaeological dig near Megiddo. Passing as an Israeli, he moves through a world previously off-limits, gaining insight into the lives and beliefs of those heâs been taught to see as enemies.Â
But as Nurâs borrowed identity deepens, so does the rift within: between Nur, the Palestinian, and âUr,â the Israeli. By exploring this internal conflict, unfolding alongside friendships and love affairs, Bassem Khandaqji offers a meditation on the personal toll of occupation and the elusive desire to belong somewhereâfully, honestly, and without fear.Â
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Description
Paperback - 224 pages
Â
Winner of the International Prize for Arabic FictionÂ
A bold, psychologically rich novel of identity, exile, and resistance from one of Palestineâs most vital literary voicesâwritten entirely from behind bars.Â
Nur, a young Palestinian refugee from a camp near Ramallah, is often mistaken for an Ashkenazi Jew. Fluent in Hebrew and with a degree in archaeology, he dreams of freedom beyond the fences of the campâand of writing a novel about Mary Magdalene based on the Gnostic Gospels. When he discovers an Israeli ID card in the pocket of a secondhand coat, he assumes a false identity and is hired for an archaeological dig near Megiddo. Passing as an Israeli, he moves through a world previously off-limits, gaining insight into the lives and beliefs of those heâs been taught to see as enemies.Â
But as Nurâs borrowed identity deepens, so does the rift within: between Nur, the Palestinian, and âUr,â the Israeli. By exploring this internal conflict, unfolding alongside friendships and love affairs, Bassem Khandaqji offers a meditation on the personal toll of occupation and the elusive desire to belong somewhereâfully, honestly, and without fear.Â













